Admin Favorite: Famicom
🔑 Login
đź“ť Register
MENU
HOME
DATABASE
COMPANIES
TYPES
DOWNLOAD
BIRTHDAY
BOOKS
CONTACT
ℹ️ Info
đź’ľ ROM
✏️ Edit
📤 Upload
Edit the information for
D-110 - Multi Timbral Sound Module
NAME
E-MAIL
Actual Entry (non editable)
D-110 - Multi Timbral Sound Module (c) 1988 Roland. The Roland D-110 was a rackmount multitimbral sound module based on Roland’s Linear Arithmetic (LA) synthesis technology. Developed by Roland Corporation, it was the rack version of the D-10 synthesizer, offering the same sound engine in a compact 1U format designed for studio and MIDI rack setups. The D-110 featured 32-voice polyphony, 8-part multitimbrality, built-in digital effects such as reverb and chorus, and a wide range of preset tones combining sampled attacks with synthesized waveforms. It became a widely used studio module during the late 1980s and early 1990s, particularly in MIDI sequencing environments. - TRIVIA - The D-110 is essentially the rack-mounted counterpart of the Roland D-10, sharing the same LA synthesis engine and sound architecture. Its compact 1U rack design made it extremely popular in professional MIDI studios where rack space was at a premium. Like other LA synthesis instruments, it combined short PCM samples for attacks with synthesized waveforms for sustain, creating the distinctive Roland “late-80s digital” sound. The module was often used in multitimbral MIDI setups, allowing composers to drive multiple parts from a single device in sequencing environments. It was widely adopted in pop, film scoring, and television production during the transition from analog to fully digital studio workflows. The D-110 supported the same preset compatibility as the D-10, allowing sounds to be shared between keyboard and rack formats. It included onboard digital effects, reducing the need for external processors in small studio setups. Alongside the D-50 and D-20 family, the D-110 helped solidify Roland’s dominance in LA synthesis during the late 1980s. - SOURCES - Machine's Bios.
Your Changes (editable)
D-110 - Multi Timbral Sound Module (c) 1988 Roland. The Roland D-110 was a rackmount multitimbral sound module based on Roland’s Linear Arithmetic (LA) synthesis technology. Developed by Roland Corporation, it was the rack version of the D-10 synthesizer, offering the same sound engine in a compact 1U format designed for studio and MIDI rack setups. The D-110 featured 32-voice polyphony, 8-part multitimbrality, built-in digital effects such as reverb and chorus, and a wide range of preset tones combining sampled attacks with synthesized waveforms. It became a widely used studio module during the late 1980s and early 1990s, particularly in MIDI sequencing environments. - TRIVIA - The D-110 is essentially the rack-mounted counterpart of the Roland D-10, sharing the same LA synthesis engine and sound architecture. Its compact 1U rack design made it extremely popular in professional MIDI studios where rack space was at a premium. Like other LA synthesis instruments, it combined short PCM samples for attacks with synthesized waveforms for sustain, creating the distinctive Roland “late-80s digital” sound. The module was often used in multitimbral MIDI setups, allowing composers to drive multiple parts from a single device in sequencing environments. It was widely adopted in pop, film scoring, and television production during the transition from analog to fully digital studio workflows. The D-110 supported the same preset compatibility as the D-10, allowing sounds to be shared between keyboard and rack formats. It included onboard digital effects, reducing the need for external processors in small studio setups. Alongside the D-50 and D-20 family, the D-110 helped solidify Roland’s dominance in LA synthesis during the late 1980s. - SOURCES - Machine's Bios.
Explain Your Changes (required!)
Select Captcha:
