No AdSense for members!
🔑 Login
đź“ť Register
MENU
HOME
DATABASE
COMPANIES
TYPES
DOWNLOAD
BIRTHDAY
BOOKS
CONTACT
ℹ️ Info
đź’ľ ROM
✏️ Edit
📤 Upload
Edit the information for
Virus A
NAME
E-MAIL
Actual Entry (non editable)
Virus A (c) 1997 Access Music GmbH. The Virus (retroactively named the Virus A) is a historic desktop virtual analog (VA) synthesizer module. Marking Access Music's spectacular transition from a niche MIDI hardware controller manufacturer into an elite synthesizer developer, the Virus was built to go toe-to-toe with the early wave of software-modeled digital synths, instantly capturing the attention of the global electronic music scene. The internal architecture of the Virus A is driven by a 24-bit Motorola DSP microchip running Access’s highly praised, proprietary virtual analog modeling software. It features a 12-voice polyphony engine and a 16-part multi-timbral layout. Each voice is constructed using two main oscillators with variable waveshaping (morphing smoothly from sine to sawtooth to pulse width waves), a dedicated sub-oscillator, and a noise generator. Sound shaping is handled by a flexible dual resonant filter configuration that can operate in series or parallel, offering low-pass, high-pass, band-pass, and band-reject modes with smooth 12dB or 24dB slopes. Housed in a compact, rugged desktop metal casing featuring a distinctive red-on-grey color scheme and natural wood end-cheeks, the Virus A was a champion of immediate tactile interaction. It features 32 rotary control knobs and 27 selection buttons, completely bypassing the tedious menu-diving of early-90s rack units. For studio routing, the back panel provides six independent analog audio outputs and two analog inputs. - TRIVIA - The Controller Origin: Before releasing their own standalone synthesizer, Access Music was famous in the mid-1990s for manufacturing the Waldorf Microwave Programmer—a massive, hands-on physical knob controller box designed to upgrade the editing interface of Waldorf's rack synths. The engineering expertise gained from designing that tactile surface directly inspired the "one knob per function" layout of the Virus A. The Firmware Transformation: Much like its successors, the Virus A received revolutionary free operating system upgrades over its lifecycle. The leap from OS 1.0 to OS 2.0 retroactively granted users an advanced, multi-mode onboard arpeggiator, an internal low-fi distortion processor, and a built-in 22-band digital vocoder—breathing an entirely new lease on life into the hardware for free. The Gritty 12-Voice Sweet Spot: While later iterations like the B and C boosted polyphony to 24 and 32 voices, many hardware purists highly value the original Virus A for its unique sonic character. Because its DSP algorithms were the earliest and least optimized, the filter clipping and digital oscillator saturation curves possess a raw, slightly unrefined, and uniquely gritty low-end thickness that sets it apart from later models. The Rack Adapter Kit: Unlike the later Virus B and C models which had completely separate, flattened 1U "Rack" counterparts, Access engineered the physical enclosure of the Virus A so it could be easily converted into a 19-inch rack unit. By attaching optional metal rack ears and angling the back-panel cable inputs, producers could seamlessly bolt the desktop module straight into a standard 5U studio rack bay. - SOURCES - Machine's bios.
Your Changes (editable)
Virus A (c) 1997 Access Music GmbH. The Virus (retroactively named the Virus A) is a historic desktop virtual analog (VA) synthesizer module. Marking Access Music's spectacular transition from a niche MIDI hardware controller manufacturer into an elite synthesizer developer, the Virus was built to go toe-to-toe with the early wave of software-modeled digital synths, instantly capturing the attention of the global electronic music scene. The internal architecture of the Virus A is driven by a 24-bit Motorola DSP microchip running Access’s highly praised, proprietary virtual analog modeling software. It features a 12-voice polyphony engine and a 16-part multi-timbral layout. Each voice is constructed using two main oscillators with variable waveshaping (morphing smoothly from sine to sawtooth to pulse width waves), a dedicated sub-oscillator, and a noise generator. Sound shaping is handled by a flexible dual resonant filter configuration that can operate in series or parallel, offering low-pass, high-pass, band-pass, and band-reject modes with smooth 12dB or 24dB slopes. Housed in a compact, rugged desktop metal casing featuring a distinctive red-on-grey color scheme and natural wood end-cheeks, the Virus A was a champion of immediate tactile interaction. It features 32 rotary control knobs and 27 selection buttons, completely bypassing the tedious menu-diving of early-90s rack units. For studio routing, the back panel provides six independent analog audio outputs and two analog inputs. - TRIVIA - The Controller Origin: Before releasing their own standalone synthesizer, Access Music was famous in the mid-1990s for manufacturing the Waldorf Microwave Programmer—a massive, hands-on physical knob controller box designed to upgrade the editing interface of Waldorf's rack synths. The engineering expertise gained from designing that tactile surface directly inspired the "one knob per function" layout of the Virus A. The Firmware Transformation: Much like its successors, the Virus A received revolutionary free operating system upgrades over its lifecycle. The leap from OS 1.0 to OS 2.0 retroactively granted users an advanced, multi-mode onboard arpeggiator, an internal low-fi distortion processor, and a built-in 22-band digital vocoder—breathing an entirely new lease on life into the hardware for free. The Gritty 12-Voice Sweet Spot: While later iterations like the B and C boosted polyphony to 24 and 32 voices, many hardware purists highly value the original Virus A for its unique sonic character. Because its DSP algorithms were the earliest and least optimized, the filter clipping and digital oscillator saturation curves possess a raw, slightly unrefined, and uniquely gritty low-end thickness that sets it apart from later models. The Rack Adapter Kit: Unlike the later Virus B and C models which had completely separate, flattened 1U "Rack" counterparts, Access engineered the physical enclosure of the Virus A so it could be easily converted into a 19-inch rack unit. By attaching optional metal rack ears and angling the back-panel cable inputs, producers could seamlessly bolt the desktop module straight into a standard 5U studio rack bay. - SOURCES - Machine's bios.
Explain Your Changes (required!)
Select Captcha:
