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QS7
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QS7 (c) 1996 Alesis. The Alesis QS7 was a 61-key performance synthesizer based on Alesis’s QS sound engine, derived from the earlier QuadraSynth and S4/S5 sample library architecture. It featured high-quality sample-based synthesis, extensive multitimbrality, and deep MIDI control, making it suitable for studio production and live performance. The QS7 sits in the late-1990s digital workstation market alongside instruments like the Korg Trinity and Yamaha CS6x, offering a clean, versatile, ROM-based synthesis platform rather than analog modeling or FM synthesis. - TECHNICAL - 61 velocity-sensitive keys 64-voice polyphony 16-part multitimbrality 16-bit ROM sample-based synthesis engine Over 500 preset sounds (depending on expansion ROMs) Built-in effects (reverb, delay, chorus, multi-FX) Real-time performance controls (mod wheel, pitch bend, assignable knobs) MIDI In/Out/Thru + deep MIDI controller functions Expandable via PCMCIA/flash RAM (on some configurations) - TRIVIA - The QS7 is part of the Alesis QS “QuadraSynth-derived” family, which evolved from earlier flagship synths like the QuadraSynth Plus. It is known for its clean, digital 90s Alesis sound, often used in pop, trance, and film scoring of the late 1990s. The QS engine is not analog modeling or virtual analog, but a large ROM-based sample playback system with flexible filtering and modulation. It is closely related to the QS6 (smaller) and QS8 (weighted 88-key version). The rack version is the QSR module, which shares the same engine. It competed directly with instruments like the Yamaha CS6x, Korg Trinity, and Roland JV series expansions. It is often praised for its solid MIDI implementation and studio reliability rather than raw sound design depth. It remains popular in retro production setups due to its distinct late-90s digital sheen. - SOURCES - Machine's bios.
Your Changes (editable)
QS7 (c) 1996 Alesis. The Alesis QS7 was a 61-key performance synthesizer based on Alesis’s QS sound engine, derived from the earlier QuadraSynth and S4/S5 sample library architecture. It featured high-quality sample-based synthesis, extensive multitimbrality, and deep MIDI control, making it suitable for studio production and live performance. The QS7 sits in the late-1990s digital workstation market alongside instruments like the Korg Trinity and Yamaha CS6x, offering a clean, versatile, ROM-based synthesis platform rather than analog modeling or FM synthesis. - TECHNICAL - 61 velocity-sensitive keys 64-voice polyphony 16-part multitimbrality 16-bit ROM sample-based synthesis engine Over 500 preset sounds (depending on expansion ROMs) Built-in effects (reverb, delay, chorus, multi-FX) Real-time performance controls (mod wheel, pitch bend, assignable knobs) MIDI In/Out/Thru + deep MIDI controller functions Expandable via PCMCIA/flash RAM (on some configurations) - TRIVIA - The QS7 is part of the Alesis QS “QuadraSynth-derived” family, which evolved from earlier flagship synths like the QuadraSynth Plus. It is known for its clean, digital 90s Alesis sound, often used in pop, trance, and film scoring of the late 1990s. The QS engine is not analog modeling or virtual analog, but a large ROM-based sample playback system with flexible filtering and modulation. It is closely related to the QS6 (smaller) and QS8 (weighted 88-key version). The rack version is the QSR module, which shares the same engine. It competed directly with instruments like the Yamaha CS6x, Korg Trinity, and Roland JV series expansions. It is often praised for its solid MIDI implementation and studio reliability rather than raw sound design depth. It remains popular in retro production setups due to its distinct late-90s digital sheen. - SOURCES - Machine's bios.
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